DXG #5: Thinking ‘The Idea of Black Culture’ Critically

Yes
Sit-in Curriculum #3 DXG #5: Thinking ‘The Idea of Black Culture’ Critically
Design and Art

Anjalika Sagar and Kodwo Eshun of The Otolith Group are joined by scholar and activist Professor Augustine "Gus" John to discuss the idea of Black Culture inspired by Hortense Spillers’ landmark essay The Idea of Black Culture (2006).

This workshop forms part of The Ignorant Art School Sit-in Curriculum #3 programmed in collaboration with the Department for Xenogenesis.

Booking

The discussion is open to all and free to attend. Sign-up via Eventbrite

Participant information

This is a large capacity online session held on Zoom. After registering a free place via Eventbrite, participants will receive a Zoom meeting link.

The event will be live-captioned on Zoom

Free

Biography

Professor Augustine "Gus" John was born in Grenada and has lived mainly in the UK since 1964.  He was a member of the Campaign Against Racial Discrimination (CARD) in the mid-to-late 60s and a member of the Council of the Institute of Race Relations in the early 70s. He is a scholar/activist who has done notable work in the fields of education policy; the role of schooling and education in promoting social justice; school improvement; management and international development.  Since the 60s he has been active in issues of education and schooling in Britain's inner cities such as London, Leicester, Birmingham, Manchester and Glasgow. 

Gus was a youth worker in London’s Notting Hill in the late 1960s. After a postgraduate diploma at the National College for the Training of Youth Leaders in Leicester, he conducted an action-research project in Handsworth, Birmingham, for the Runnymede Trust with a focus principally on young people and wrote the book Race in the Inner City.  Between 1973 and 1979, he led a research project for the National Association of Youth Clubs, sponsored by the Voluntary Services Unit at the Home Office. In 1981, he published the seminal report, In the Service of Black Youth - a study of the political culture of youth and community work with Black people in English cities. 

He was Assistant Education Officer and Head of Community Education in the Inner London Education Authority and in 1989 became the first African Director of Education in Britain, a post he held for just under 8 years. Prof John has worked in a number of university settings, including as Visiting Faculty Professor of Education at the University of Strathclyde in Glasgow (for 10 years).  Since 2007, Gus John has been an associate professor of education and honorary fellow of the London Centre for Leadership in Learning at the UCL Institute of Education and from 2016, Visiting Professor at Coventry University, where he works with the Vice Chancellor and University Leadership Team in improving the strategic management of the University and building a culture of equity. 

In 1997, he was appointed adviser to former British Home Secretary, Jack Straw, on race and social inclusion and in that capacity worked with civil servants on the Race Relations (Amendment) Act 2000.  In 1999, Gus John co-founded the Communities Empowerment Network (CEN), a charitable organisation providing advocacy and representation for excluded school students and their parents/carers.  He is now its Patron and Interim Chair.   Between 2003 and 2007, he evaluated the Race Equality Policy & Action Plan of every University/Higher Education Institute in England, Scotland and Wales for their respective funding councils and since then he has conducted equality audits for a number of universities, including Salford, Northumbria, Brunel and Cambridge.

Between 2001 and 2003, on behalf of the then Attorney General, he conducted a national review for the Crown Prosecution Service of prosecutors’ decision making at the case review stage, examining for any evidence of bias on the axis of gender and of race and wrote the report Race for Justice.

Since 2006 Gus John has been a member of the African Union's Technical Committee of Experts working on "modalities for reunifying Africa and its global diaspora", as part of its Sixth Region initiative. He has advised member states in Africa and the Caribbean on meeting the Sustainable Development Goals related to education and youth.  In 2016, he was named as one of the 30 most influential African diaspora leaders globally.

He submitted evidence to the Cross-Party Parliamentary Commission on youth violence, calling for, among other things, an end to school exclusions and a less punitive approach to children’s infractions: http://www.youthandpolicy.org/articles/apprehending-youth-violence/

In August 2018, Gus delivered the keynote address: Choices of the Living and the Dead to open the annual conference in Glasgow of the Archives and Records Association. In October 2018, he delivered an address on the challenges of decolonising the curriculum at a Black History Month symposium organised by Coventry University Students Union. Also, in October 2018, he delivered a public lecture at Warwick University on the relevance of Black History Month to Higher Education and the growing movement to decolonise the curriculum and decolonise higher education.

In December 2019, Professor John delivered the inaugural annual lecture of the British Educational Leadership, Management & Administration Society (BELMAS) at the UCL Institute of Education on decolonising the curriculum.

In 2020, he was listed as one of 100 Great Black Britons.

More recently, he advised upon and provided analysis for the Steve McQueen documentary films, Subnormal and Uprising.

In March 2022, he commented on what the response to violation of Child Q should be if our children are to be protected from schools and the police.

He is the author of, among other titles, Born to Be Great – a Charter for Raising the Achievement of Black Caribbean Boys and The Case for a Learner’s Charter for Schools, in which he argues that ALL schools should be required by law to operate in compliance with the UN Convention on the Rights of the Child, as well as with the Equality Act 2010.  His most recent publications (2023) are:

Blazing Trails - stories of a heroic generation and Don’t Salvage the Empire Windrush. Published by New Beacon Books, London.

Professor John is a columnist for the Jamaica Gleaner.


The Otolith Group is an award-winning artist led collective founded by Anjalika Sagar and Kodwo Eshun in 2002.

Their moving image, audio works, performances and installations are characterized by an engagement with the legacies and potentialities of diasporic futurisms that explore modes of temporal anomalies, anthropic inversions and synthetic alienation.

Approaching curation as an artistic practice of building intergenerational and cross-cultural platforms, the collective has been influential in critically introducing particular works of artists such as Chris Marker, Harun Farocki, Anand Patwardhan, Etel Adnan, Black Audio Film Collective, Sue Clayton, Mani Kaul, Peter Watkins, and Chimurenga in the UK, US, Europe, and Lebanon.

Access

The event will be live captions on Zoom.

All enquiries please contact: [email protected]
 

About the exhibition

...But There Are New Suns is the first major exhibition in Scotland by the Turner Prize nominated artist collective The Otolith Group; and is the third iteration of The Ignorant Art School: Five Sit-ins towards Creative Emancipation.

Visit:
13 October – 16 December
Monday – Saturday, 12–5pm

Read more on our exhibition page.

Funding support

The Ignorant Art School at Cooper Gallery, DJCAD is supported by the National Lottery through Creative Scotland. 

Logo block. Cooper Gallery, DJCAD, Creative Scotland, National Lottery Funded
Cooper Gallery
Cooper Gallery Cooper Gallery The Ignorant Art School | Sit-in 3 | The Otolith Group The Ignorant Art School Sit-in Curriculum #3
No
Yes
Talk with The Otolith Group and Professor Gus John (online)

DXG #4: Thinking Butler Attentively

No
Sit-in Curriculum #3 DXG #4: Thinking Butler Attentively
Book spread open at pages 88 & 89 of the novel Wild Seed by Octavia E. Butler
Design and Art

POSTPONED
This event has been postponed and will be rescheduled with a new date will be announced.
__________


The Otolith Group and Akwugo Emejulu will lead a reading session that attends to one passage from Octavia E. Butler’s novel Wild Seed (1980) so as to engage with the science fiction of Butler as an experiment in thinking Otherwise.

This workshop forms part of The Ignorant Art School Sit-in Curriculum #3 programmed in collaboration with the Department for Xenogenesis.
 

Booking

POSTPONED

The reading session is open to all and free to attend.

Participant information

POSTPONED

This is a large capacity online session held on Zoom. An open discussion with participants will be instigated by The Otolith Group and Akwugo Emejulu. After registering a free place via Eventbrite, participants will receive a Zoom meeting link.

The event will be live-captioned on Zoom

Access the text
Online p88-89 (Headline Publishing Group, 2020)
Or ask for a printed copy at the exhibition
 

Free

Biographies

Akwugo Emejulu is Professor of Sociology at the University of Warwick. Her research interests include the political sociology of race, class and gender and women of colour’s grassroots activism in Europe and the United States. She is the author of several books including Precarious Solidarities (Manchester University Press, 2025), Fugitive Feminism (Silver Press, 2022) and Minority Women and Austerity: Survival and Resistance in France and Britain (Policy Press, 2017). She is co-editor of To Exist is to Resist: Black Feminism in Europe (Pluto Press, 2019). 

The Otolith Group is an award-winning artist led collective founded by Anjalika Sagar and Kodwo Eshun in 2002.

Their moving image, audio works, performances and installations are characterized by an engagement with the legacies and potentialities of diasporic futurisms that explore modes of temporal anomalies, anthropic inversions and synthetic alienation.

Approaching curation as an artistic practice of building intergenerational and cross-cultural platforms, the collective has been influential in critically introducing particular works of artists such as Chris Marker, Harun Farocki, Anand Patwardhan, Etel Adnan, Black Audio Film Collective, Sue Clayton, Mani Kaul, Peter Watkins, and Chimurenga in the UK, US, Europe, and Lebanon.

Access

The event will have live captions on Zoom.

All enquiries please contact: [email protected]
 

About the exhibition

...But There Are New Suns is the first major exhibition in Scotland by the Turner Prize nominated artist collective The Otolith Group; and is the third iteration of The Ignorant Art School: Five Sit-ins towards Creative Emancipation.

Visit:
13 October – 16 December
Monday – Saturday, 12–5pm

Read more on our exhibition page.

Funding support

The Ignorant Art School at Cooper Gallery, DJCAD is supported by the National Lottery through Creative Scotland. 

Logo block. Cooper Gallery, DJCAD, Creative Scotland, National Lottery Funded
Cooper Gallery
Cooper Gallery Cooper Gallery The Ignorant Art School | Sit-in 3 | The Otolith Group The Ignorant Art School Sit-in Curriculum #3
Book free reading session place via Eventbrite
Yes
Yes
Online reading session led by The Otolith Group and Akwugo Emejulu (online)

DXG #3: Thinking Hydropoetics Critically

Yes
Title Slide: Sit-in Curriculum #3 DXG #3: Thinking Hydropoetics Critically
Film still. A rock in the ocean sits under a cloudy sky surrounded by a rough sea
Design and Art

Stemming from the concerns of their 2010 film Hydra Decapita, The Otolith Group will reflect upon questions of poesis and abstraction with relation to the aesthetics and politics of the aquatic, the deep sea and the oceanic with artist Natasha Thembiso Ruwona and curator Sabrina Henry.
 

Schedule

Screening
Natasha Thembiso Ruwona, what is held (between waters), 2023
The Otolith Group, Hydra Decapita, 2010
Conversation between Anjalika Sagar, Kodwo Eshun, Natasha Thembiso Ruwona and Sabrina Henry

Read more about what is held (between waters) on Ruwona's website.
Read more about Hydra Decapita on Tate's website.

Booking

The event is free to attend and open to all. Book a space via Eventbrite.

Free

Biographies

Sabrina Henry is a curator and costume designer whose practice uses research and collaboration with artists of various disciplines, to connect pre-colonial traditions with the contemporary British experience, as a way to re-imagine the future.  Her curatorial practice thinks through questions of post-coloniality as they exist in Scotland to contribute to the wider discourse around the effects of power and modernity with a focus on the geographies of the Atlantic.  In her costume and textile work she uses handcraft techniques to create contemporary artefacts in an attempt to retell the history of Black diasporic presence in Scotland.  

As part of the British Art Network research group The Re-Action of Black Performance, she is exploring how the state of being re-active is used as a theme in Black British performance art.  Sabrina works as Head of Programme at CCA Glasgow.

Natasha Thembiso Ruwona is a moving-image artist, researcher, and curator-programmer-producer. She is interested in spatial practice and Afrofuturism as methods of thinking about place across time. Natasha also investigates processes of healing in relation to understanding our environments.

The Otolith Group is an award-winning artist led collective founded by Anjalika Sagar and Kodwo Eshun in 2002.

Their moving image, audio works, performances and installations are characterized by an engagement with the legacies and potentialities of diasporic futurisms that explore modes of temporal anomalies, anthropic inversions and synthetic alienation.

Approaching curation as an artistic practice of building intergenerational and cross-cultural platforms, the collective has been influential in critically introducing particular works of artists such as Chris Marker, Harun Farocki, Anand Patwardhan, Etel Adnan, Black Audio Film Collective, Sue Clayton, Mani Kaul, Peter Watkins, and Chimurenga in the UK, US, Europe, and Lebanon.
 

About the exhibition

...But There Are New Suns is the first major exhibition in Scotland by the Turner Prize nominated artist collective The Otolith Group; and is the third iteration of The Ignorant Art School: Five Sit-ins towards Creative Emancipation.

Visit:
13 October – 16 December
Monday – Saturday, 12–5pm

Read more on our exhibition page.
 

Access

The gallery is on two floors. First floor has ramped access and disabled toilet.

Second floor is accessible via lift and for wheelchair access via a stairclimber. The event will take place on the second floor. 

Please email in advance if you require lift or stairclimber access so we can arrange support.

Large print versions of the exhibition information handout are available, please ask our Guides.

If you require live captions for the discussion please email to request.

All enquiries please contact: [email protected]

Image credit

The Otolith Group, Hydra Decapita, 2010 (video still)
Courtesy the artist.

Funding support

The Ignorant Art School at Cooper Gallery, DJCAD is supported by the National Lottery through Creative Scotland. 

Logo block. Cooper Gallery, DJCAD, Creative Scotland, National Lottery Funded
Cooper Gallery
Cooper Gallery Cooper Gallery The Ignorant Art School | Sit-in 3 | The Otolith Group The Ignorant Art School Sit-in Curriculum #3
No
Yes
Screening and discussion between The Otolith Group, artist Natasha Thembiso Ruwona and curator Sabrina Henry (In-person)

DXG #2: Thinking Futurisms Critically

Yes
Title Slide: Sit-in Curriculum #3 DXG #2 Thinking Futurisms Critically
Title Slide: Sit-in Curriculum #3 DXG #2 Thinking Futurisms Critically
Design and Art

The Otolith Group will lead an online seminar with filmmakers and artists to discuss the differential stakes entailed by engaging with critical futurisms, futures and futurity with regard to moving image making. 

This workshop forms part of The Ignorant Art School Sit-in Curriculum #3 programmed in collaboration with the Department for Xenogenesis.
 

Booking

The seminar is free to attend. Book a space via Eventbrite. 


Participant information

This is a large capacity online seminar held on Zoom. It will be lead by The Otolith Group with opportunity for discussion with participants. It is aimed at filmmakers and artists. After registering a free place via Eventbrite, participants will receive a Zoom meeting link.

The event will be live-captioned on Zoom.

Free

Biography

The Otolith Group is an award-winning artist led collective founded by Anjalika Sagar and Kodwo Eshun in 2002.

Their moving image, audio works, performances and installations are characterized by an engagement with the legacies and potentialities of diasporic futurisms that explore modes of temporal anomalies, anthropic inversions and synthetic alienation.

Approaching curation as an artistic practice of building intergenerational and cross-cultural platforms, the collective has been influential in critically introducing particular works of artists such as Chris Marker, Harun Farocki, Anand Patwardhan, Etel Adnan, Black Audio Film Collective, Sue Clayton, Mani Kaul, Peter Watkins, and Chimurenga in the UK, US, Europe, and Lebanon.

Access

The event will be live captions on Zoom.

All enquiries please contact: [email protected]
 

About the exhibition

...But There Are New Suns is the first major exhibition in Scotland by the Turner Prize nominated artist collective The Otolith Group; and is the third iteration of The Ignorant Art School: Five Sit-ins towards Creative Emancipation.

Visit:
13 October – 16 December
Monday – Saturday, 12–5pm

Read more on our exhibition page.

Funding support

The Ignorant Art School at Cooper Gallery, DJCAD is supported by the National Lottery through Creative Scotland. 

Logo block. Cooper Gallery, DJCAD, Creative Scotland, National Lottery Funded
Cooper Gallery
Cooper Gallery Cooper Gallery The Ignorant Art School | Sit-in 3 | The Otolith Group The Ignorant Art School Sit-in Curriculum #3
No
Yes
Online discussion led by The Otolith Group

Management Practices and Fuel Efficiency: Evidence from Firms in China

No
Research

Using data from the World Management Survey, we investigate whether there are spillover benefits to fuel efficiency within firms in China. We find firms that are competently managed use substantially less electricity: a one standard deviation improvement in management practices is associated with a 14.9% reduction in usage intensity. The management premium is also significant after accounting for policy effect. 

However, the correspondence is not significant for fossil fuels. The management quality is non-monotonically related to different quantiles of fuel intensity, where only firms with moderate-low consumption benefit from good management. Our results suggest potential linkages between managerial slack and competition, and we discuss possible reasons affiliated with opportunism, “multitasking problem”, and institutional design. Overall, there is evidence of management benefits to fuel efficiency but mainly restricted to electricity utilization.

Speaker: Prof. Jing Cao (Harvard University/Tsinghua University)

Host: Dr Sisi Sung

School of Business
Join us on Teams
No
Yes
Do well-managed firms use fuel less intensively in developing countries?

The many faces of leadership

No
Research

The ancestral environment may have shaped human’s implicit preference of leadership. Ancestral human society was not always hierarchical, evidenced by the fields of archaeology and anthropology, which suggests early human leaders’ influence was limited to their domain of expertise. 

Previous studies find dominance is not always preferred in leaders, particularly in peace and intragroup conflict situations. Using an online card-sorting interface, Caucasian and East Asian participants were asked to sort male Caucasian faces into one of the following categories: business leader, sports leader, moral leader, and not a leader. A ‘not sure’ category was also included to allow uncertain and alternative leader categorisation.

Face choices were compared with perceived personality ratings (e.g. masculinity, intelligence, attractiveness, health, maturity).

  1. An individual's facial appearance predicted whether or not he/she will be considered as a leader.
  2. Different sets of faces were chosen according to leadership contexts.
  3. Contextual choice was driven by facial cues to different personality traits (e.g., perceived intelligence was important for business and moral leadership but not for sports leadership).
  4. Cross-cultural agreement was found with subtle differences in the visual representations of leadership prototypes.

Facial appearance can be used to explore implicit leadership theory. Leadership preference patterns are context contingent and largely consistent across cultures.

Presenters: Dr Jing Ma (University of Dundee) 
Host: Dr. Felippe Oliveira

Location: You can either join us on Teams or come to the presentation at the Carnegie Building, Carnegie Lecture Theatre, School of Business, Dundee, DD1 4HN 

Microsoft Teams meeting

Click here to join the meeting
Meeting ID: 365 979 615 588
Passcode: SRWNp5
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Learn more | Meeting options

School of Business
No
Yes
Leadership involves coordination strategies evolved within human society to accomplish collective goals.

The Ignorant Art School Sit-in Curriculum #3

Yes
title slide Sit-in Curriculum #3 DXG: The Department of Xenogenesis
Design and Art

Sit-in Curriculum #3 is conceived and activated in collaboration with The Department of Xenogenesis or DXG, a time space enacted by The Otolith Group. The curriculum of events is an open invitation for interlocutors to think together critically. 

DXG is an experiment with pedagogy that emerges from and extends the research practice of The Otolith Group. DXG treats science fiction as a narrative vehicle that enables an imagination of scale which allows thought to gain traction upon the denaturalisation of the human, the extinctions of the earth, the necropolitics of technofascisms and the entanglements of global blackness and decolonization.

In assembling dialogues between the political aesthetics and aesthetic politics of science fictions, insurgent futurisms, chronopolitics, anti-colonial, postcolonial, decolonial and settler colonial theories, theories of anthropogenic and capitalogenic crises, and experimental musics, electronic and otherwise, the screenings, discussions, performances and reading groups that constitute the Sit-in Curriculum #3 aim at the interruption and suspension of colonial orders of knowledge production through an open invitation to all that wish to gain traction upon the convergence of multiple crises.


Participant information

Events are free, open to all and require no prior experience or knowledge to attend. Participants can sign-up via Eventbrite for one or all of the one-off sessions.

Free

Sit-in Curriculum #3 | DXG: The Department of Xenogenesis
 

DXG #1: Thinking the Otolith Sigil 
Thursday 12 October 6-7pm (In-person)

DXG #2: Thinking Futurisms Critically 
Thursday 26 October, 6.30–8PM (Online)

DXG #3: Thinking Hydropoetics Critically 
Thursday 2 November, 6.30–8pm (In-person)

DXG #4: Thinking Butler Attentively 
Thursday 23 November, 6.30–8pm (Online) 
* POSTPONED *

DXG #5: Thinking ‘The Idea of Black Culture’ Critically
Thursday 30 November 6.30–8pm (Online)  

DXG #6: Thinking with Improvisation Critically 
Thursday 7 December, 7–8.30pm (In-person) 

 

L’École du soir Cinéma 

Inspired by Senegalese film director Ousmane Sembène’s concept of cinema as ‘night school’ or l’école du soir for collective study, Cooper Gallery will transform into a temporary cinema over four evenings of screenings of moving image by The Otolith Group. Each screening will be complemented by audio recordings from The Otolith Group and responses from invited artists and writers in Scotland.  


L’École du soir Cinéma #1 
Otolith II (2007)
Wednesday 18 October, 6–8pm
Response by Rae-Yen Song

L’École du soir Cinéma #2
I See Infinite Distance Between Any Point And Another (2012)
Tuesday 31 October, 6–8pm
Response by Daisy Lafarge

L’École du soir Cinéma #3
In the Year of the Quiet Sun (2013)  
Wednesday 15 November, 6–8pm 
Response by Anne-Marie Copestake

L’École du soir Cinéma #4
INFINITY minus Infinity (2019)
Wednesday 13 December, 6–8pm
Response by Ashanti Harris and Sabrina Henry

 

Funding support

The Ignorant Art School at Cooper Gallery, DJCAD is supported by the National Lottery through Creative Scotland. 

Logo block. Cooper Gallery, DJCAD, Creative Scotland, National Lottery Funded
Cooper Gallery
Cooper Gallery Cooper Gallery The Ignorant Art School | Sit-in 3 | The Otolith Group The Ignorant Art School: Five Sit-ins towards Creative Emancipation
Register for free places via Eventbrite
Yes
Yes
A curriculum of one-off in-person and online discussions, gatherings, and screenings in collaboration with DXG: The Department of Xenogenesis
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