Nuo Cheng

This thesis aims to contribute to the dialogue between Hieronymus Bosch’s paintings and traditional Chinese painting (especially landscape painting). Following a historical clue with the assistance of philosophical approach, this thesis is navigated by a comparison between the ways of seeing and perceiving space in the Western Renaissance and Chinese tradition, in which Bosch plays a remarkable role as the bridge and conjunction between the two divergent space perception.

Names of Supervisors: 

• Natasha Lushetich
• Oisin Keohane