A Slogan Class: Three Word Chant!

Yes
A slogan class: three word chant
Design and Art

Investigating the history of protest posters, this workshop facilitated by designer Neil McGuire will explore ways of using expressive lettering and political slogans to promote a cause, defend a right, or stake a claim. Through the process of honing and refining three-word slogans, a toolkit of protest materials will be created together. Following the workshop, at a later date the posters will be placed in public space, documented and shared in context.

This event forms part of The Ignorant Art School, Sit-in Curriculum #1. 

Facilitator biography

Neil McGuire is a designer and teaches part-time at Strathclyde University in the Architecture department. He works with artists, architects, writers, theatre makers, and other designers on a range of projects across print and digital media, exhibitions and events. Projects include the curation of an exhibition on Graphic Design and Politics, the creation, with jeweller Marianne Anderson, of ‘the Golden Tenement’ (an alternative souvenir for the 2014 Commonwealth Games); Test Unit (an art, design and architecture summer school), and Then/Now (a public art commission for the Forth and Clyde canal).

Funding support

The Ignorant Art School at Cooper Gallery, DJCAD is supported by the National Lottery through Creative Scotland and the Henry Moore Foundation. 

free
lottery funded and henry Moore foundation logos
Cooper Gallery
Book on eventbrite
Yes
Yes
The Ignorant Art School, Sit-in Curriculum #1

A Public Class: Radical Pub Crawl

Yes
A public class: radical pub crawl
Design and Art

Line up your drinks and come on a virtual pub crawl through time and space. Exploring the radical past and potential of the public house, artist Ruth Ewan will take you to ‘The Goths’ of Scotland’s east coast with writer Henry Bell, followed by Sylvia Pankhurst’s ‘The Mothers’ Arms’ in east London. The pub crawl will finish up at Dundee’s Tay Bridge Bar where we will meet Frida Kahlo and take part in a pub quiz with prizes hosted by artist Yara El-Sherbini.

This event forms part of The Ignorant Art School, Sit-in Curriculum #1

Participants may choose to join with a 'Pub Crawl Only' ticket, or please indicate if you intend to stay for the Pub Quiz by booking a 'Pub Crawl and Pub Quiz ticket'. 

Free

Contributors’ biographies

Henry Bell is a writer living on the Southside of Glasgow. His biography of the revolutionary red Clydesider John Maclean was published by Pluto in 2018 and his latest poetry pamphlet, Inner Circle, comes out this year.

Yara El-Sherbini uses humour and play to create artworks that probe ‘how we know what we know’. Her work strives to open up who engages with socially and politically engaged art and how, using popular culture and a lightness of touch, her practice becomes more accessible to a wider public. For the past 16 years, El-Sherbini has hosted pub quizzes, which operate as a site for debate and dialogue around the idea of knowledge production. El-Sherbini regularly shows work nationally and internationally, most recently, a solo exhibition Forms of Regulation and Control, CUE Art Foundation, New York, 2020. She is part of artist duo YARA + DAVINA; their work Arrivals + Departures opened at Somerset House in September 2020 and is touring internationally in 2021. yaraelsherbini.com

Ruth Ewan is an internationally celebrated artist whose research-led and critically engaged practice has drawn attention within contemporary art and socio-political history. Engaging with the circulation of radical ideas and social movements, her work explores the processes by which ideas take form and spread from individuals to society.

Ewan’s work is recognised internationally and she has shown extensively at major venues including; Edinburgh Art Festival (2018 & 2020); Pitzhanger Gallery (2020); Yorkshire Sculpture Park (2019); CAPC, Bordeux (2019); Musée national de l’histoire de l’immigration, Paris (2019); Victoria and Albert Museum (2018); 32nd São Paulo Biennial (2016); Camden Arts Centre, London (2015); Tate Britain (2009 & 2014); Kunsthal Charlottenborg, Copenhagen, Glasgow International (2012); Dundee Contemporary Arts and Centro Andaluz de Arte Contemporáneo, Sevilla (2011); The Louisiana Museum of Modern Art, Humlebæk (2010); the New Museum, New York (2009). She has realised projects for The High Line, New York (2019); Glasgow Women’s Library (2018); Create, London (2012); Art on the Underground (2011); Frieze Projects (2009) and Artangel (2007&2013). In 2016 she was awarded the Arts Foundation Yoma Sasburg Award for Art in Urban Space. ruthewan.com

Funding support

The Ignorant Art School at Cooper Gallery, DJCAD is supported by the National Lottery through Creative Scotland and the Henry Moore Foundation.

lottery funded and henry Moore foundation logos
Cooper Gallery
Yes
Yes
The Ignorant Art School, Sit-in Curriculum #1

A Beauty Class: Society, Politics and Transcendence

Yes
A beauty class: Society, politics and transcendence
Design and Art

An event with author and social critic Minna Salami on how beauty could shape the sociopolitical, cultural and economic relationships that we have with each other and with the nonhuman natural world. The session will explore beauty as a necessary feminist tool for regenerating society and politics. It will cover topics such as knowledge, activism, decolonisation, and leadership. The question, “what would change if we seriously thought about how to beautify the crises of society?” will be at centre of the event.

Free

Facilitator biography

Minna Salami is a Nigerian, Finnish and Swedish writer, feminist theorist and the author of the internationally-acclaimed book Sensuous Knowledge: A Black Feminist Approach for Everyone, published in March 2020. Translated into five languages, Sensuous Knowledge has been called “intellectual soul food” (Bernardine Evaristo), “vital” (Chris Abani) and “metaphysical journey into the genius the West hasn’t given language to” (Johny Pitts). Minna has written for the Guardian, Al Jazeera,

World Literature Today and is a columnist for Esperanto Magazine. She has presented talks at some of the world’s most prominent institutions such as the UN, EU, The Oxford Union, The Cambridge Union, Yale University and The Singularity University at NASA. She is co-director of the feminist movement, Activate, and a Senior Research Associate at Perspectiva. She sits on the advisory board of the African Feminist Initiative at Pennsylvania State University and the editorial board of the Interdisciplinary Journal for the Study of the Sahel. She lives in London.

Funding support

The Ignorant Art School at Cooper Gallery, DJCAD is supported by the National Lottery through Creative Scotland and the Henry Moore Foundation.

lottery funded and henry Moore foundation logos
Cooper Gallery Cooper Gallery The Ignorant Art School: Five Sit-ins towards Creative Emancipation The Ignorant Art School | Sit-in 1 | Ruth Ewan
Yes
Yes
The Ignorant Art School, Sit-in Curriculum #1

A Play Class: Unlearning for Freedom 2

Yes
A play class: unlearning for freedom
Design and Art

The second of two script writing workshops facilitated by playwright and community theatre director John McCann, informed by An A-Z of Dundonian Dissent co-authored by artist Ruth Ewan, storyteller Erin Farley and historian Siobhan Tolland. The material generated from these workshops will contribute to the development of an audio drama to be shared at a later date.

 A first workshop, Unlearning for Freedom #1, will take place on Wed 3 March, 6.00 – 7.30pm. Participants are welcome for either or both of the workshops.

This event forms part of The Ignorant Art School, Sit-in Curriculum #1.

Facilitator biography

John McCann is a two-time Scotsman Fringe First Award winning playwright, performer, community theatre artist and director who lives in Tayport, Fife. Since May 2018 John has hosted Dundee’s only playwriting scratch night: SCRIEVE. SCRIEVE contributed to Cooper Gallery DJCAD’s 12 Hour Non-State Parade | International Symposium (2019) and Ambiguous Becoming (2020). John’s recent productions include COME OUT FROM AMONG THEM, Edinburgh Festival Fringe, (Ambergris); DUPed (Ambergris); SPOILING (Traverse Theatre); FAMLA (Tinderbox Theatre Company); DANCING AT THE DISCO AT THE END OF THE WORLD (Replay Theatre Company).

Funding support

The Ignorant Art School at Cooper Gallery, DJCAD is supported by the National Lottery through Creative Scotland and the Henry Moore Foundation. 

free
lottery funded and henry Moore foundation logos
Cooper Gallery
Book on eventbrite
Yes
Yes
The Ignorant Art School, Sit-in Curriculum #1

A Strike Class: The Clock Stops

Yes
A strike class: the clock stops
Design and Art

An in-conversation event with ex-Timex activists Mary McGregor and Charlie Malone on the Timex Strike in Dundee, facilitated by artist and activist Stella Rooney, exploring education on the picket line and the capitalist construction of time. Introduced with a film by Rooney, shot at the location of the Camperdown Timex factory, this discursive event will draw on local histories and ongoing activism in Dundee, reimagining the location and hierarchies of traditional educational structures.

Free

Facilitator biography

Stella Rooney is an artist, film-maker and trade unionist who investigates labour from the perspective of both past and present. As a recent graduate from DJCAD's Art and Philosophy course, her final year project focused on the legacy of Timex factories and the effects of deindustrialisation on the city of Dundee. Stella is also an activist campaigning against precarious work and was part of organising a fourteen-day occupation of the university Principal's office while a student.

Contributors’ biographies

Mary McGregor is a retired English and Guidance teacher and has been a lifelong political activist, including organising with the Timex Support Group

The Timex History Group was formed when two of the members, on clearing out the local union offices. thought that the contribution of the workforce should be heard through the words of the workers. 'Timex was good for Dundee, Dundee was good for Timex' has been the mantra held by the group.

Funding support

The Ignorant Art School at Cooper Gallery, DJCAD is supported by the National Lottery through Creative Scotland and the Henry Moore Foundation.

lottery funded and henry Moore foundation logos
Cooper Gallery
Cooper Gallery
Yes
Yes
The Ignorant Art School, Sit-in Curriculum #1

A Reading Class: Proletarian Art, Proletarian Culture

Yes
A reading class, proletarian art, proletarian culture
Design and Art

An audio presentation and reading group, facilitated by researcher and Sit-in #1 Associate Occupier Hussein Mitha, exploring a particular conception of proletarian culture and art in the wake of the Russian Revolution, through readings of extracts from Leon Trotsky, Asja Lācis, Walter Benjamin, and ‘Proletkult’ publications.

Free

Facilitator biography

Hussein Mitha (they/he) is a writer and artist based in Glasgow. Their writing has featured in The Drouth, Frieze and Radical Philosophy. They have taught workshops at Glasgow School of Art, Central Saint Martins, Market Gallery, Transmission Gallery, and previously led a reading group at Cooper Gallery during The Pleasure of Expense in 2019.

Funding support

The Ignorant Art School at Cooper Gallery, DJCAD is supported by the National Lottery through Creative Scotland and the Henry Moore Foundation.

lottery funded and henry Moore foundation logos
Cooper Gallery
Yes
Yes
The Ignorant Art School, Sit-in Curriculum #1

A Play Class: Unlearning for Freedom 1

Yes
A Play Class: Unlearning for Freedom #1
Design and Art

The first of two script writing workshops facilitated by playwright and community theatre director John McCann, informed by An A-Z of Dundonian Dissent co-authored by artist Ruth Ewan, storyteller Erin Farley and historian Siobhan Tolland. The material generated from these workshops will contribute to the development of an audio drama to be shared at a later date.

A second workshop, Unlearning for Freedom #2, will take place on Wed 17 March, 6.00 – 7.30pm. Participants are welcome for either or both of the workshops. 

This event forms part of The Ignorant Art School, Sit-in Curriculum #1

Facilitator biography

John McCann is a two-time Scotsman Fringe First Award winning playwright, performer, community theatre artist and director who lives in Tayport, Fife. Since May 2018 John has hosted Dundee’s only playwriting scratch night: SCRIEVE. SCRIEVE contributed to Cooper Gallery DJCAD’s 12 Hour Non-State Parade | International Symposium (2019) and Ambiguous Becoming (2020). John’s recent productions include COME OUT FROM AMONG THEM, Edinburgh Festival Fringe, (Ambergris); DUPed (Ambergris); SPOILING (Traverse Theatre); FAMLA (Tinderbox Theatre Company); DANCING AT THE DISCO AT THE END OF THE WORLD (Replay Theatre Company).

Funding support

The Ignorant Art School at Cooper Gallery, DJCAD is supported by the National Lottery through Creative Scotland and the Henry Moore Foundation. 

free
lottery funded and henry Moore foundation logos
Cooper Gallery
Book on eventbrite
Yes
Yes
The Ignorant Art School, Sit-in Curriculum #1

The Ignorant Art School | Sit-in 1 | Ruth Ewan

Yes
We could have been anything that we wanted to be and its not too late to change
Flowers arranged like a meadow on the wooden floor of the gallery space
Design and Art

Cooper Gallery’s major five-chapter exhibition and event project The Ignorant Art School: Five Sit-ins towards Creative Emancipation strides forward this autumn with a timely new exhibition by internationally celebrated Scottish artist Ruth Ewan.

For Sit-in #1 launched in February 2021 Ruth Ewan stated We Could Have Been Anything That We Wanted to Be and It’s Not Too Late to Change. Foregrounding the revolutionary potential of education and keeping step with the contemporary necessity for collective action, in collaboration with The Ignorant Art School Ewan devised a two-month sequence of online gatherings which activated radical forms of collaborative learning and grassroots knowledge creation. Deploying imagination in all its rich emancipatory power and literally unsettling the time and duration of conventional learning, Sit-in Curriculum #1 traversed multiple histories, alternative social structures and popular culture to empower a lucid pedagogy grounded in communities of care and resistance unconstrained by classroom hierarchies.

Indexed by Dundee’s historical connection with the 1789 French Revolution, We Could Have Been Anything That We Wanted to Be and It’s Not Too Late to Change brings together evocative manifestations of revolutionary time with the creative energy of dissent. Featuring a decimal clock especially installed on the public façade of Cooper Gallery, a virtual and physical perpetual Republican Calendar, a lightbox sculpture named Heckle, and an immersive installation How Many Flowers Make the Spring?, Ewan’s exhibition offers us a transcendent moment resonating with dissent and solidarity.

Resetting time is an abiding and representative leitmotif of revolution and 1789 is its quintessential expression. Desiring to introduce a new ‘civil era’, the French Revolution secularised and rationalised time by abolishing the 24 hour day in favour of a decimalised 10 hour day and by renaming every month of the year to reflect not the names of Gods or Kings but nature, science and the labouring classes. Inherently political, this revolutionary reclaiming of time rings loud and clear in We Could Have Been Anything That We Wanted to Be and It’s Not Too Late to Change.

Featuring a new ambitious installation by Ewan, How Many Flowers Make the Spring?, weaves together oral histories and the personal recollections of activists involved in public moments of dissent with an indoor meadow-like landscape made of dried grasses and plants. Channelling the natural symbolism of the French Republican Calendar How Many Flowers Make the Spring? asks us to embrace liberty and freedom not as individualistic goals nor as distant utopian aims, but as collective trans-historic struggles to which we can all contribute and effect social change.

“As flowers turn toward the sun, by dint of a secret heliotropism the past strives to turn toward that sun which is rising in the sky of history.” (Walter Benjamin, Theses on the Philosophy of History IV, 1940)

Artist biography

Ruth Ewan is an internationally celebrated artist whose research-led and critically engaged practice has drawn attention within contemporary art and socio-political history. Engaging with the circulation of radical ideas and social movements, her work explores the processes by which ideas take form and spread from individuals to society.

Ewan’s work is recognised internationally and she has shown extensively at major venues including; Edinburgh Art Festival (2018 & 2020); Pitzhanger Gallery (2020); Yorkshire Sculpture Park (2019); CAPC, Bordeux (2019); Musée national de l’histoire de l’immigration, Paris (2019); Victoria and Albert Museum (2018); 32nd São Paulo Biennial (2016); Camden Arts Centre, London (2015); Tate Britain (2009 & 2014); Kunsthal Charlottenborg, Copenhagen, Glasgow International (2012); Dundee Contemporary Arts and Centro Andaluz de Arte Contemporáneo, Sevilla (2011); The Louisiana Museum of Modern Art, Humlebæk (2010); the New Museum, New York (2009). She has realised projects for The High Line, New York (2019); Glasgow Women’s Library (2018); Create, London (2012); Art on the Underground (2011); Frieze Projects (2009) and Artangel (2007&2013). In 2016 she was awarded the Arts Foundation Yoma Sasburg Award for Art in Urban Space. 

Artist's website: ruthewan.com
 

Press coverage


Acknowledgements

Cooper Gallery would like to thank the following people and organisations for their support in realising the installation. 

  • University of Dundee Botanic Garden
  • Hospitalfield, Arbroath
  • Auchtermuchty Common
  • Pillars of Hercules
  • Becca Clark, Dundee
  • Warriston Allottments, Edinburgh
  • Flowers Vermilion, Glasgow

 

Image credits

Ruth Ewan artworks. Photography by Sally Jubb

Funding support

The Ignorant Art School at Cooper Gallery, DJCAD is supported by the National Lottery through Creative Scotland and Henry Moore Foundation.

lottery funded and henry Moore foundation logos
Cooper Gallery
Cooper Gallery Cooper Gallery The Ignorant Art School: Five Sit-ins towards Creative Emancipation
No
Yes
We Could Have Been Anything That We Wanted to Be and It’s Not Too Late to Change

A History Class: An A-Z of Dundonian Dissent

Yes
A History Class: An A-Z of Dundonian Dissent
Student recruitment

To launch The Ignorant Art School at Cooper Gallery, artist Ruth Ewan, storyteller Erin Farley and historian Siobhan Tolland will present An A-Z of Dundonian Dissent, offering up playful and sometimes surprising anecdotes from the city’s past, including tales of feminist activists, revolutionary trees and striking school children. This opening event will feature specially selected songs performed by Tayo Aluko, Karan Casey, Tosh Flood and Lorraine Wilson alongside readings from Tam Dean Burn, Sarah Diviney, Poppy Page, Sit-in #1 Associate Occupier Hussein Mitha and playwright John McCann.

This event forms part of Sit-in Curriculum #1.

Contributors’ biographies

Tayo Aluko is a playwright, stage and TV actor, and singer born in Nigeria, living in Liverpool, UK. His one-man play about Paul Robeson, CALL MR ROBESON, has taken him as far afield as the North West Territories of Canada, Australia and New Zealand, and to New York’s Carnegie Hall. A second play, JUST AN ORDINARY LAWYER, which deals with Black liberation struggles worldwide has also been performed on three continents. Aluko has initiated an international project titled MAPPING “GREATNESS” in which people of the Global Majority worldwide film themselves performing his poem GREATNESS IN A TIME OF COVID in many languages, as a response to Imperialism and the global pandemic.

Actor Tam Dean Burn’s greatest act of dissent was jumping onto the front of the scab bus on the first big Timex picket line demonstration in Dundee. For this he earned the nickname ‘Spiderman’. Following his arrest he was released with the bail condition that he was not allowed to enter the city of Dundee. When he was allowed back in, he moved to Lochee and worked on the worldwide Timex Boycott Campaign in the AEEU office on Union Street. Tam's most recent act of dissent is the song Tree of Liberty with his Burnsian band The Bum-Clocks available on Bandcamp.

Sarah Diviney is an Irish artist and writer based in Glasgow. Diviney's creative discourse focuses on feminism through auto-fictional narrative and explores the position of writing and performance within the gallery space. The inquiry is situated in rural Ireland and the folkloric traditions it contains. Diviney uses narrative to explore the publication of the domestic and its relational transference to performance. Publications include Bloomers Magazine, The Yellow Paper, Visual Arts Ireland, Irish Art Review, District Magazine and New Minds Eye. She has been shortlisted and exhibited for the Visual Arts Awards in Ireland and was in the top thirteen of Irish Fine Art Graduates of 2018.

Ruth Ewan is an internationally celebrated artist whose research-led and critically engaged practice has drawn attention within contemporary art and socio-political history. Engaging with the circulation of radical ideas and social movements, her work explores the processes by which ideas take form and spread from individuals to society.

Ewan’s work is recognised internationally and she has shown extensively at major venues including; Edinburgh Art Festival (2018 & 2020); Pitzhanger Gallery (2020); Yorkshire Sculpture Park (2019); CAPC, Bordeux (2019); Musée national de l’histoire de l’immigration, Paris (2019); Victoria and Albert Museum (2018); 32nd São Paulo Biennial (2016); Camden Arts Centre, London (2015); Tate Britain (2009 & 2014); Kunsthal Charlottenborg, Copenhagen, Glasgow International (2012); Dundee Contemporary Arts and Centro Andaluz de Arte Contemporáneo, Sevilla (2011); The Louisiana Museum of Modern Art, Humlebæk (2010); the New Museum, New York (2009). She has realised projects for The High Line, New York (2019); Glasgow Women’s Library (2018); Create, London (2012); Art on the Underground (2011); Frieze Projects (2009) and Artangel (2007&2013). In 2016 she was awarded the Arts Foundation Yoma Sasburg Award for Art in Urban Space. ruthewan.com

Dr Erin Farley is the Library and Information Officer for Local History at Dundee Libraries, who hold a large collection of local print, photographic and manuscript collections. She also researches the history of literature and folklore in Dundee and Angus. Outside of work, Erin is a traditional storyteller and one of the hosts of The Beans podcast.

John McCann is a two-time Scotsman Fringe First Award winning playwright, performer, community theatre artist and director who lives in Tayport, Fife. Since May 2018 John has hosted Dundee’s only playwriting scratch night: SCRIEVE. SCRIEVE contributed to Cooper Gallery DJCAD’s 12 Hour Non-State Parade | International Symposium (2019) and Ambiguous Becoming (2020). John’s recent productions include COME OUT FROM AMONG THEM, Edinburgh Festival Fringe, (Ambergris); DUPed (Ambergris); SPOILING (Traverse Theatre); FAMLA (Tinderbox Theatre Company); DANCING AT THE DISCO AT THE END OF THE WORLD (Replay Theatre Company).

Hussein Mitha (they/he) is a writer and artist based in Glasgow. Their writing has featured in The Drouth, Frieze and Radical Philosophy. They have taught workshops at Glasgow School of Art, Central Saint Martins, Market Gallery, Transmission Gallery, and previously led a reading group at Cooper Gallery during The Pleasure of Expense in 2019.

Dr Siobhan Tolland completed a PhD on Dundee's Mary Brooksbank, looking at propaganda as literature, and now (intermittently) writes on modern Scottish politics. She is a political and community activist in Dundee, using art & discussion to encourage people to think about the Scotland they want.

Originally from Dublin, Tosh Flood is a multi-instrumentalist, composer, arranger, and producer. He currently plays with The Divine Comedy.

From Dundee, Lorraine Wilson is an author, journalist, singer, and international spy. She currently plays with two small terriers called Lottie & Dottie.
Together they are currently working on their first album under the working title Destroy All Devices.

This event is presented in partnership with the Local History Centre, Dundee Libraries.
Event images are fair use and have been sourced through Dundee Libraries and with kind permission of Tam Dean Burn and Stella Rooney

Funding support

The Ignorant Art School at Cooper Gallery, DJCAD is supported by the National Lottery through Creative Scotland and the Henry Moore Foundation.

lottery funded logo, henry moore foundation, dundee libraries
Cooper Gallery
Yes
Yes
The Ignorant Art School, Sit-in Curriculum #1
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