Cooper Gallery
Duncan of Jordanstone College of Art & Design,
13 Perth Road,
Dundee,
DD1 4HT
Jamming Day 3
Dundonian Dissent: Sowing Class
Saturday 14 November 2026, 12–5pm
Voice workshop, storytelling, seed sowing, Theatre of Oppressed exercise and collective deliberations conceived by Ruth Ewan and facilitated by special guests including Pinar Aksu, Debbie Armour, Erin Farley and more. Collective deliberations facilitated by Pinar Aksu, a response by Robyn Scanlan and artist-designed refreshment by Jek McAllister.
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About Jamming Days
Tuned to the collaborative, experimental and improvisational ethos of musical ‘jamming’ and energised by the unruly possibilities of knowing otherwise, Jamming Days brings artists, curators, cultural workers, educators, students, activists, policymakers, and communities together in a series of discursive and participatory events. These charged moments of reflection, exchange and experimentation activate a constellation of (un)learning spaces, equipping individuals and communities to collectively inhabit, contest and transform this dissonant present with critical hope and solidarity that draws on knowledge in all its multiplicity.
Part of Jamming The Ignorant Art School
Exhibition: 9 October – 12 December 2026
Event Access
- Event will take place on level 2 of the gallery
- Light vegetarian and vegan food will be provided
- non-alcoholic refreshments will be provided
Biographies
Pinar Aksu is an artist-scholar and a human rights campaigner. Her work sits at the powerful intersection of art, justice, and activism. Currently a Research Associate on the Sustainable Designs for Living and Learning (SDLL) project and Research Fellow with the UNESCO RIELA, University of Glasgow.
Her doctoral research, Art and Law in Migration: using art practices for social change and access to justice, reflects her commitment to exploring how creative practice can challenge injustice and open pathways to equity. Pinar’s work is grounded in building solidarity and fostering welcoming communities through dialogue, empathy, and shared understanding. Her research interest include migration, social justice, languages, law, politics and creativity.
As an activist-scholar, she has contributed to impactful campaigns including Our Grades Not Visas, Right to Vote, and Lift the Ban-Right to Work, and continues her advocacy with Refugees for Justice.
Debbie Armour is a traditional singer and artist working with sound and performance. She motivated by persistence, resonance, deep cultural roots and celebrating traditional materials. Her practice sparks interest in shared heritage through world building, and recontextualising song, story and archetype.
Ruth Ewan is an artist based in Glasgow. Her work addresses ideas of power and questions representations of time, rebellion and repression. Her work grows from context-specific research resulting in a wide variety of forms including events, public works, performance, writing, large scale installations and print.
Erin Farley is a storyteller and writer who has performed at book and storytelling festivals across Scotland. She was a fieldworker on the Northern Lighthouse Board Oral History Project between 2013 and 2015, interviewing former lighthouse keepers and their families, engineers, boat crew and trustees. She is the author of Angus Folk Tales, co-editor of In One Woman’s Life: Celebrating Mary Brooksbank and has also contributed to other publications.
Jek McAllister is an artist, facilitator, gardener, and cook based in Dundee. Currently, she is Lead Artist for Alternative (Art) School, a project by Forgan Arts Centre supporting young people who feel excluded from mainstream education through a programme of art, craft and horticulture. Her day to day practice is and always has been concerned with with creating fun circumstances for people to come together, hang out and experience or learn something (often around food). Jek has run Wooosh Gallery since 2019, was a Hospitalfield Graduate resident in 2023–24 and in 2025 facilitated 'Dundee Dye Gardens' as a part of the V&A Dundee exhibition Garden Futures.
Access Funds
A small access fund is available to support travel and access for BSL interpretation, costs for childcare, carers & support workers and other needs. The funds are distributed on a first come first served basis. Please be aware we may need to close the fund early if demand is high, so please get in touch prior to event.
For Travel
- please emailing stating where you are travelling from within Scotland
- Cooper Gallery will book trains in advance for attendees and email ticket collection references
For all other access requests
- please email and detail your access requirement and request
- we will respond as soon as we can and confirm access fund transfer
Contact: [email protected]
General Access
Location
Cooper Gallery is located to the right side of the DJCAD buildings on Perth Road
Entrance is via double doors which face onto a car park
The gallery is on two levels
Level 1
- Ramped access
- Wheelchair accessible toilet. The toilet is gender neutral
- Invigilator desk
Level 2
Lift route
- Accessible via lift, corridor and 5 steps. For wheelchair access via a stairclimber
- Please email in advance if you require lift or stairclimber access
Step route
- 24 steps. Two flights of 12 steps with handrails are separated by a landing
- No toilet on first floor
Exhibition
- Exhibition videos are subtitled and captioned in English
- Seating is provided and/or additional seating available, please ask an invigilator
- Large print versions of the exhibition information handout are available, please ask our Guides. If you require alternative formats for material in exhibitions please email or ask our Guides.
BSL & captioning
- For event requirements please email: [email protected]
Toilet
Ground floor has a wheelchair accessible toilet. The toilet is gender neutral.
All Enquiries
- Please email: [email protected]
Funding support
The exhibition is supported by the National Lottery through Creative Scotland and with the kind support of Duncan of Jordanstone College of Art Centenary Trust.
Cooper Gallery
[email protected]