The module will offer a critical survey of Scottish cinema from the 1940s to the present and will focus on the work of key filmmakers and screenwriters.
The indicative module content is as follows:
Representation of Scotland on Screen 1 –Trainspotting (1996) & Rob Roy (1995)
Representation of Scotland on Screen 2 - I Know Where I’m Going! (1945) & Ae Fond Kiss (2004)
Two Comedies on Scottish Culture: Whisky Galore! (1949) & The Angels’ Share (2012)
Americans in Scotland – Local Hero (1983) & The Maggie (1954)
Deprived Childhoods – Bill Douglas Trilogy & Ratcatcher (1999)
Contemporary Scottish directors – Young Adam (2003) & The Last King of Scotland (2006).
Convenor
Caitlin McDonald
Teaching
There will be 6x three-hour classes for this module. The first hour will be in lecture format, followed by a two-hour seminar discussion. All modules are supported by VLEs and staff office hours for individual consultation. Consultation via email or phone is also offered.
Assessment
2,500 word Essay (100%)
Module Aims
This module aims to:
Introduce students to the history of filmmaking in Scotland
Critically examine the representation of Scotland and Scottish culture on film
Introduce students to theoretical debates surrounding the concept of national cinema
Introduce students to the work of key Scottish film directors and screenwriters