Angela Gillies

Art, Science & Visual Thinking MFA

Jeweller, printmaker and zoologist.

About

The sloping sands of the quarry landscape provide habitats for an array of birds, and the colours, textures and contour lines of this anthropogenic environment provide a wealth of inspiration for artistic exploration. Observing birds that populate this man-made setting is incredibly entertaining, and highlights potential positive impacts that these transient landscapes can have upon certain species. Sand martins for example migrate from Sub-Saharan Africa to excavate their burrows within the soft sands of aggregate quarries, which provide some of the few remaining habitats left available to them.

Resources yielded from the ground are finite and it is important to reuse them wherever possible, especially precious metals and gemstones used in the jewellery industry. Sustainability is therefore a fundamental component of my working practice. The techniques I use involve mined and quarried materials that are commonly utilised in the scientific industries and discarded as waste. My intaglio prints and etched silver are produced using electro-etching rather than harmful acids, and I make my own silver wire, sheet and casting grain from materials sourced from the pharmaceutical industry. Any additional metals I use are recycled, and all of my gemstones are sourced from small-scale artisanal mines. It is important that my work incorporates materials with a known supply chain and source, and that people, wildlife and the environment have been protected as far as possible.

The quarry landscape

The view across a quarry landscape.

The quarry landscape provides a wealth of inspiration for artistic research, and is a haven for a variety of bird species.

Colours and textures

A cracked piece of slate, sits on the gravel of the quarry floor.

An example of the colours and textures of mined and quarried materials such as slate.

Electro-etched copper intaglio plate

Electro-etched intaglio plate with hand-drawn patterns of the contour lines of mining and quarrying landscapes.

Electro-etched intaglio plate with hand-drawn patterns of the contour lines of mining and quarrying landscapes.

Electro-etching process

Electro-etching plate.

Electro-etching involves the use of electricity rather than harmful acids, which is kinder to the environment and our health.

Feather inks

Intaglio prints and inked impressions that have been produced using feathers.

My intaglio prints and inked impressions have been produced using feathers collected on my walks around various local quarries.

Hand-made recycled silver

Recycled silver wire, sheet, bezel and casting grain from waste pharmaceutical electrodes.

I have made my own recycled silver wire, sheet, bezel and casting grain from waste pharmaceutical electrodes.

Recycled silver cast within quarry sands

Recycled silver has been cast within quarry sands; small stones can be seen embedded within the metal.

Recycled silver has been cast within quarry sands; small stones can be seen embedded within the metal.

Necklace made using waste pharmaceutical electrodes

A silver necklace with lines etched into the surface.

This piece was inspired by one of the most characterful birds of the quarry landscape, the gregarious starling.

Ruby from scientific equipment

A ruby sits in the centre of the image, the area around it appears blurred.

I have used rubies that are waste products from High Performance Liquid Chromatography in some of my jewellery.

Copper bracelet made from waste electro-etching contact strips

A copper bracelet is held up by a hand.

I have re-used the contact strips from my electro-etching tank to make jewellery.

All photographs were taken from publicly accessible areas of the quarries featured, and out-with the breeding season for birds.

Support this graduate

Feel free to contact me for more information and commissions.

10% of all profits made from sales will be donated to the Wildfowl and Wetlands Trust.

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