Jasmina Cibic | The Pleasure of Expense
Start Date: 18/10/2019
End Date: 14/12/2019
Level 1/2, Crawford Building Add to Calendar Organiser: Cooper Gallery firstname.lastname@example.org
Cooper Gallery is proud to present The Pleasure of Expense, a major solo exhibition of new works by award-winning Slovenian artist Jasmina Cibic, internationally lauded since representing Slovenia at the 55th Venice Biennial (2013).
Visually evocative and critically engaged, the exhibition at Cooper Gallery choreographs film, sculpture, photography, textile, performance and archives into a provocative mediation on the aesthetics and gestures underscoring contemporary politics and international relations. With 2019 marking one hundred years since the founding of the League of Nations and haunted by the uncertainties of Brexit and concurrent shifts in global power, The Pleasure of Expense is a timely dissecting of statecraft and the concept of the political gift; the donation of artistic, architectural, political or philosophical thoughts to ideological structures. Composed of a newly commissioned gallery-specific filmic installation, a live performance, existing works and archival material, the exhibition and its Event Series provide a nuanced and subtle play on the recurring politicisation of culture.
Replete with the appropriate pomp and circumstance The Pleasure of Expense will raise its curtain at the exhibition preview with an all-female operatic ensemble. Bringing the gifting of culture centre stage, the ensemble will sing excerpts of political speeches made during key moments of social crisis in the 20th century.
Expanded by an Event Series that includes Brechtian theatre workshops and feminist reading groups the exhibition will culminate in an international symposium, the 12-Hour Non-State Parade.
Setting in motion a creative and critical mass of practitioners from contemporary art, critical theory and social activism, The Pleasure of Expense will found a shared imaginary that unpacks, subverts and proclaims an alternative to the hegemonic cultural spectacle embodied by the state.