UniVerse is the imprint set up by the University of Dundee to publish the work of the students on both the university's Masters in Comics and Graphic Novels and the Duncan of Jordanstone College of Art and Design (DJCAD) Animation, Graphic Design and Illustration course's Comic Art and Graphic Novels module. It has also been used to feature the work of the winners and runners up in the annual Dundee Comics Day art competition.
The imprint's main title is Anthology, each issue of which is a full colour, US sized, soft cover, perfect bound book.
- Anthology One features the work of the DJCAD students and is a 72 page book with a cover by DJCAD graduate Colin MacNeil.
- Anthology Two features the work of the MLitt students and is a 100 page book with a cover by DJCAD lecturer Phillip Vaughan.
- Anthology Three again features the work of the DJCAD students and is a 120 page book with a cover by DJCAD guest lecturer Dave Gibbons.
Anthology One also features the winner and runners-up in the Tartan Bucket comics prize competition from the 2011 Dundee Comics Day and includes the winning strip, Belle's Magic Mobile by Steve English, which was published in The Beano.
The winner and runners up in the 2012 Dundee Comics Day art competition are featured in a separate publication, The Amazing Mr X.
All of these publications are available for mail order from UK on Display.
Studies in Comics
First published in 2010, Studies in Comics aims to describe the nature of comics, to identify the medium as a distinct art form, and to address the medium’s formal properties. The emerging field of comics studies is a model for interdisciplinary research and in this spirit this journal welcomes all approaches. This journal is international in scope and provides an inclusive space in which researchers from all backgrounds can present new thinking on comics to a global audience. The journal promotes the close analysis of the comics page/text using a variety of methodologies. Its specific goal, however, is to expand the relationship between comics and theory and to articulate a 'theory of comics'. The journal also includes reviews of new comics, criticism, and exhibitions, and a dedicated online space for cutting-edge and emergent creative work.
Submissions are welcome from both scholars and enthusiasts. Contributors are encouraged to approach comics from any discipline and to turn their attention to comics from all countries and in all languages.
The editorial board consists of many well-known names from comics scholarship.
Further details, including current and back issues, and the most recent call for papers, are available on the Intellect website.