Designing with-in Nature: Using biophilia, biomimicry and resilience thinking as foundations for a ‘symbiotic design practice’
How can design education move from using nature as a source of aesthetic inspiration, applied simply as a catalyst to artistic problem elaboration, to the act of designing symbiotically with nature?
Duration, Cultural Programming and Sensemaking
This Ph.D. seeks to understand the role of durational programming in human sensemaking processes.
The Kapodistrian Orphanage and Aegina Prison: Can the arts function within a social context as a catalyst for change in our relationship with our past and our immediate environment?
Within this historical and social context this practice led research explores the potential of material objects and practices through first-hand exposure to connect us to our past and with each other.
Towards a Concrete Art: A Practice-Led Investigation
This study aims to identify a consistent position for Concrete Art, relevant to an understanding of, and highlighting its vital importance in, contemporary practice.
The Braided Way: From Conflict to Community Social design tools for sustainability
This heuristic study uses ‘Process Work’ as a lens to evaluate the facilitation of a shift in perspective, consciousness, or meta-design.
Periodic Table of Movements: A Reference Framework for Expressive Movement and Gesture
The research, ontological in character, analysing and mapping body language, aims to contribute to future interactive applications, based on movement recognition technology.
Curating design innovation: an exploration of curatorial methodologies for an emerging design museum
The thesis argues that communication and recognition of design as an intellectual and practical activity remains underdeveloped within industry and academia.
Paper Publics: An exploration of visual, textual and verbal representations of ‘the public’
With many urban redevelopment projects, either completed or in their developmental stages, it is an opportune moment in which to critically interrogate and creatively open up and reconfigure contemporary visual, textual and verbal representations of ‘the public’.
Activation of the mnemonic space. A memory space for Net.Art
How can art museums offer an interactive memory space for Net.Art and which fundamental changes need to be made in the (traditional) memory culture within these institutions?
Topographic vision: The creative application of aerial photography and digital visualisation for built heritage and archaeological narrative
This practice-based enquiry draws from the researcher’s training in digital media and practice in low altitude aerial photography techniques.
Curating The Eternal Network After Globalisation
The research focuses upon production, distribution and reception of network art practice before and after globalisation.
Saskia's research focuses on participatory social innovation and she is developing co-creation methods for the selection, application, iteration and evaluation of project indicators.
Local and Global Explorations Through Design Research
The work aims to understand and communicate through a series of case studies how participatory action research can be applied locally